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Please click the link to upload your EPK (Electronic Press Kit)

* If uploading multiple files please send as ZIP or RAR

* You may include any combination of TEXT, VIDEO, and/or AUDIO.

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  • EPK Upload
    An electronic press kit (EPK) is a press kit equivalent in electronic form. An EPK usually takes the form of a website or e-mail, though they are also known to exist in CD and DVD form. You may upload video and audio clips within this form
 

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    *Class Act Production & Promotion, Inc acts only as an entertainment broker/producer agent and does not claim or represent itself as the exclusive booking agent, booking agency or management of any artist on this website, only artist that denotes ** are exclusive of Class Act. We also take inquiries for live appearances at corporate, private and special events. Please complete our booking request form or call 954-306-6155
 

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Artists Roster
Artists Biography: Capleton

A wise man once said that a prophet is never honored in his own country. And so it has been with Capleton. While the veteran DJ‚s words and works long ago earned him the title of “The Prophet,” the respect and honor that should rightfully be his have been a long time coming. „Anytime you try to uplift righteousness and upliftment of the people them, then you ah go get a fight, says the hottest entertainer in the worldwide reggae fraternity. “Bob Marley come do it and them fight him. And when Bob Marley dead, that’s when they start to endorse him. I already aware of this, I am not unaware. So I know the more them fight I is the more I get stronger” In the fast-moving world of dancehall reggae, fame and success are hard to obtain and easy to lose. Fans can be fickle, and trends change in the blink of an eye, leaving most entertainers with painfully short career spans. Only a rare few can remain relevant from year to year, holding their audience’s attention and leaving them crying for more. His lyrics are deep, precise, and thoughtful. His stage shows are nothing less than dynamic, explosive performances. But his remarkable staying power and longevity may be Capleton’s greatest gift.

Born Clifton George Bailey III on April 13, 1967, in the rural parish of St. Mary, Capleton earned his future stage name from friends who were so impressed with his sharp reasoning skills that they named him after the most famous lawyer in town. From a tender young age, he was a lover of the traveling sound systems, sneaking out at night to catch the vibes until dawn. But it wasn’t until he turned 18 and moved to Kingston that he was able to realize his destiny.

It was Stewart Brown, owner of a Toronto-based sound called African Star, who gave the untested artist his first break, flying him to Canada for a stage show alongside giants like Ninjaman and Flourgon. The audience poured out their appreciation, and he never looked back. When Capleton first burst on the scene in the late 1980s, the dancehall was a very different place than it is today. Slackness and gun talk were the order of the day. This bright promising newcomer announced his arrival with a string of hit songs from “Bumbo Red” to “Number One on the Look Good Chart” and “Lotion Man.” Everything he touched hit the sound-good charts, and the youthful artist with the nimble vocabulary and hardcore voice quickly established himself as one of dancehall‚s most reliable hitmakers. But even he could not have predicted that eleven years later, at the start of the new millennium, he would be dancehall’s ruling voice.

“I think the people dem see say me really deserve that because of the amount of years me put in,” Capleton says, “and we never really bow and we still hold the faith. We stand up for whatever we a say. Yeah and we really work for it. And them say by your works, a so you get your pay. The people them see the amount of fight me face and the whole heap of accusation. And me still never give up”

When he dropped the tune “Alms House” in 1992, Capleton established himself as more than an entertainer but as a guiding light of righteousness through music. “United we stand and divided we fall,” he sang for the benefit of his fans and dancehall comrades. “Nuff of them nah go know themself till them back against the wall.” A few years later he came back with yet another antidote to the clashing and rivlary that had taken hold of the dancehall business. “Music is a mission,” he reminded his fellow artists, “not a competition. Some man use the music to cause confusion.” The path of this dancehall Prophet was clearly established in 1994 with a string of songs that declared his newfound faith in Rastafari. “INI sight up the light and see say really, yunno, Rasta is real,” he recalls. “founder of the world, because Rasta did come set the trend. Y‚unnerstand. Rasta is life.”

~ Biography obtained from: http://www.vprecords.com/index.php?page=artistBioRuz&a_id=16
 
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Alaine

Artist: Alaine

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Video Coming Soon

 

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Artist: Frankie Paul

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About G.I.T.S.O.

G.I.T.S.O. is an acronym for Gospel In The Son Outreach, a Premiere yearly event that takes place in Fort Lauderdale, Florida. This event will hosts the biggest and best in the Gospel Industry along with providing assistance to local communities that are in need of outlets for building a healthy and productive lifestyle. To find out more Information or to participate, give us a call at 954.274.5312. We look forward to hearing from you.

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Class Act Production & Promotion
1876 North University Drive, Suite 201/201A
Plantation, Florida 33322 USA
Phone: (954) 274 - 5312
Fax: (954) 306 - 6155
E-mail: info@classactpro.com