Resource Center
Please click the link to upload your EPK (Electronic Press Kit)
* If uploading multiple files please send as ZIP or RAR
* You may include any combination of TEXT, VIDEO, and/or AUDIO.
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- EPK UploadAn electronic press kit (EPK) is a press kit equivalent in electronic form. An EPK usually takes the form of a website or e-mail, though they are also known to exist in CD and DVD form. You may upload video and audio clips within this form
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Booking artists is an easy process with Class Act. Click the following link to access our Booking Form for the opportunity to reserve one or multiple artists.
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- Booking Request*Class Act Production & Promotion, Inc acts only as an entertainment broker/producer agent and does not claim or represent itself as the exclusive booking agent, booking agency or management of any artist on this website, only artist that denotes ** are exclusive of Class Act. We also take inquiries for live appearances at corporate, private and special events. Please complete our booking request form or call 954-306-6155
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Over the course of a 30 year career, Beres has poured his smoky-sweet voice an instrument of subtlety and power reminiscent of an Otis Redding or a Teddy Prendergast over every kind of riddim track, from the funked up reggae jams of the '70s fusion band Zap Pow to the lush instrumentation of his 1976 album 'Soul Reggae' to the spare digital beat of his 1985 dancehall breakthrough "What One Dance Can Do." In 1990, his album 'A Love Affair' for Donovan Germaine's Penthouse label raised his popularity to new heights. Cuts like "Tempted To Touch" and "Who Say" with Buju Banton are still effective in the dancehall today as they were as pre-releases. The '90s proved to be Hammond's decade, during which he blazed a trail of modern classics for a variety of Producers, from the strugglers' anthem "Putting Up Resistance" (Tappa) to lovers' laments like "Come Back Home" (Star Trail) and "Double Trouble" (Steely & Clevie). 
